A Changed Meaning on AGB’s 2017 list

“Gomberg has an average of about 2 releases a year for the past 10 years and while everything I’ve heard is fantastic, A Changed Meaning is certainly one of the best things he’s done, it’s super soft, light & airy, although not very bright, there’s a pervasive gloom settled just beneath the surface, and I’m amazed at how dynamic this record is without resorting to drastic volume changes.”

drone through the drone list here: http://www.antigravitybunny.com/?p=11317

Fluid Radio explores heavy objects

Nathan Thomas explores ideas of space and environment on Heavy Objects and Giovanni Lami’s Hysteresis work:

“Lami and fraufraulein approach the problem of how to respond musically to environmental sounds in very different ways, but the results are equally intriguing. The differences are pointed to by the titles they use: ‘Hysteresis’, a word denoting a system that incorporates some lag, delay, or history dependence, refers to process; ‘when we evaporate’ names the intention to actually evaporate into the environment, including a time and a voice to place the emphasis on affect. Translating into the language of the visual arts, you could call Lami’s technique a sort of live, instantaneous cut-up or collage, while fraufraulein mobilise the desire, often expressed in the annals of art history, to step through the canvas and into the painting.”

full writeup below:

Giovanni Lami / fraufraulein

 

Continue reading

A Changed Meaning out now on Strange Rules

Billy Gomberg makes his Strange Rules debut with a standout release – minimalistic but completely engaging cross-sections of nuanced electro-acoustic, textural studies and ambient music. Seeming at once industrialised, waves of half-imagined melodies fill the space, just enough for the bloom to show through.

Deeply rewarding and vital listening for colder months and near-perfect grey skies.

mix for Spool’s Out

thanks to Tristan Bath for inviting me to contribute to his long-running series of tape broadcasts!

Playlist and blurbs below….

——————–

Billy Gomberg is a NYC-based musician. He utilises traditional & modern synthesis alongside myriad recordings and instrumentation. He aims to pull the physical and the abstract together. He has released music for the likes of Students of Decay, Dinzu Artefacts, Constellation Tatsu, and more.

For this week’s show, Billy’s compiled a mix defining his personal sound world, plus recorded a recent live performance at The Spectrum in New York.

email // tristan@spools-out.com
tweet // @SplsOut

Pre-Play
Helm – Fog Variations II (from Rawabet, Alter)

Billy Gomberg’s Playlist:
Jerman/Barnes “Occluded” (from Karst, Astral Spirits)
New York Review of Cocksucking “Side A” (from Such Sweet Shame, Copy For Your Records)
Michael Flora “Xi” (from Xi, Sympathy Ltd)
Angelo Harmsworth “Untitled” (from Japanese Whisper, Angoisse)
Ryan Loecker, “Untitled” (from Split, Lillerne Tapes)
Sofia Ozdravovna, “Scenes By The Sea, Scenes From Every Land” (from Housewife At The End Of The World, AudioVisualAtmosphere)
Hainbach, “Noise, Rising” (from Cello Pattern, Limited Interest)
Lea Bertucci, “The Cepheid Variations” (from All That Is Solid Melts Into Air, NNA Tapes)
Anne-F Jacques, “Side A” (from Welcome, Electricians, Dinzu Artefacts)
Olli Aarni, “Lofoten 8.7.2016” (from Veslä, self-released)
Billy Gomberg, “Live at Spectrum, April 29 2017