Andy Guthrie, PhD<\/p>\n
Curriculum Vitae<\/strong><\/p>\n <\/p>\n Education<\/strong><\/p>\n 2001-2005: BMus in Composition and BA in English Literature, University of Iowa<\/p>\n 2007-2008: MS in Architectural Acoustics, Rensselaer Polytechnic Institute<\/p>\n 2008-2015: PhD in Architectural Acoustics, Rensselaer Polytechnic Institute<\/p>\n \u00a0<\/strong><\/p>\n Employment<\/strong><\/p>\n 2005-2007: Managing Director, The S.E.M. Ensemble.<\/p>\n -Managed finances and organized rehearsals, concerts and recordings for freelance new music orchestra in Brooklyn, NY.<\/p>\n 2010-Present: Acoustic and Audiovisual Consultant, Arup<\/p>\n -New York 2010-2018; San Francisco 2018-Present. Technical design and project management for a wide variety of spaces in the built environment, ranging from corporate and aviation to the performing arts. Expertise includes structure-borne noise and vibration mitigation, spatial audio systems and sound art content design, and 3D acoustic modeling and auralization for optimization of room geometry and sound isolation design.<\/p>\n 2017: Guest Lecturer and performer for Clocktower Radio\u2019s Site : Sound<\/em> series in Brooklyn, NY<\/p>\n 2020: Guest Lecturer on 3D audio techniques for UT Austin\u2019s Department of Anthropology Sound Studies Lecture Series<\/p>\n 2021: Technical Advisor and Guest Lecturer on Acoustics for Academy of Art University Architecture Studio in San Francisco<\/p>\n \u00a0<\/strong><\/p>\n Selected Awards<\/strong><\/p>\n 2023: \u201c40 Under 40\u201d award, Consulting-Specifying Engineer Magazine<\/p>\n \u00a0<\/strong><\/p>\n Selected Publications\/Releases<\/strong><\/p>\n 2008: \u201cRelevance of Acoustic Parameters to Musical Communication in Indeterminate Music\u201d; Acoustical Society of America (ASA) Paris Conference Presentation<\/p>\n 2013: \u201cA Few Words About Music;\u201d Pleasure Editions: A Journal of the Arts<\/em><\/p>\n 2013: \u201cUsing Ambisonics for Stage; Acoustics Research\u201d; International Symposium on Room Acoustics (ISRA) Toronto Conference Paper<\/p>\n 2014: Stage Acoustics for Musicians: A Multidimensional Approach Using 3D Ambisonic Technology<\/em>; PhD Thesis, Rensselaer Polytechnic Institute<\/p>\n 2014: \u201cOut in the Field,\u201d Interview by Dayna Evans for Impose <\/em>magazine<\/p>\n 2014: \u201c33rd<\/sup> St &\u00a0 Rawson Ave, Queens;\u201d compilation curated by Jonathan Chen for Leonardo Music Journal Audio Series<\/em>, v.24<\/p>\n 2014: Codiaeum Variegatum<\/em>, LP release on Students of Decay label<\/p>\n 2014: \u201cThe Nine;\u201d Interview by Kirsten Nelson for AV Network News<\/em><\/p>\n 2015: \u201cTune In: Soundscapes of New York;\u201d Urban Omnibus<\/em><\/p>\n 2017: \u201cContemporary Multi-Use Concert Hall Design\u201d; ASA Boston Conference Presentation<\/p>\n 2017: \u201cThree Nymphs Supporting a Clock,\u201d graphic score included in The Tonebook<\/em>, Printed Matter Press, ed. Lea Bertucci and Michael Anzuoni<\/p>\n 2018: Brass Orchids<\/em>, LP release on Students of Decay label<\/p>\n 2018: Sculpture Gardens, <\/em>LP release on Future Audio Graphics label<\/p>\n 2021: Gyropedie<\/em>, LP release on Students of Decay label<\/p>\n 2023: Blemished, <\/em>cassette release on Modern Concern label<\/p>\n 2023: “Sound isolation and HVAC noise control: design versus practical challenges and constructability”;\u00a0 Institute of Acoustics Athens Conference Paper<\/p>\n 2023: \u201cWith a Field Recorder and French Horn, Andy Guthrie Finds Poetry in Everyday Surroundings;\u201d Interview by Daniel Bromfield for KQED<\/em><\/p>\n <\/p>\n Selected Installations\/Performances<\/strong><\/p>\n 2011: untitled sound\/visual art installation; Silence and Noise<\/em> group show at Brooklyn Zen Center<\/p>\n 2012: Spine Wide and Flat a Landscape<\/em>, composition commissioned by Thomas Buckner; premiered at Roulette Intermedium.<\/p>\n 2013: Remarks on Color, <\/em>composition with Billy Gomberg, premiered by Indexical Ensemble at Willow Place Auditorium, Brooklyn<\/p>\n 2014: site specific sound art performance; Musical Ecologies <\/em>series at Old Stone House, Brooklyn<\/p>\n 2015: live improvised audio performance, French horn and electronics; AMPLIFY <\/em>festival at Fridman Gallery, NY<\/p>\n 2015: Even the Stains Pale<\/em> composition commissioned by Experiments in Opera; premiered by the Anagram Ensemble for The Travel Agency is on Fire <\/em>event at The Stone Gallery, NY.<\/p>\n 2016: live improvised audio performance, French horn and electronics; Festival Cable# <\/em>in Nantes, France<\/p>\n 2017: live improvised spatial audio performance; Mixology Festival<\/em> at Roulette Intermedium<\/p>\n 2019: Hackle<\/em> composition, premiered by Other Minds Ensemble; Nature of Music <\/em>series at The Brower Center in Berkeley, CA<\/p>\n 2019: Hackle 2<\/em> spatial sound\/visual art installation; Florasonic<\/em> series at Lincoln Park Conservatory in Chicago<\/p>\n 2019: live improvised spatial audio performance, French horn and electronics; Deep Listening <\/em>concert series at LAXART<\/p>\n 2020: multiple live improvised performances, French horn and electronics; No Idea Festival<\/em><\/p>\n 2022: THEYFRIEND non-binary performing arts festival \u2013 live vocal\/horn performance<\/p>\n 2023: live improvised spatial audio performance, Focus<\/em> series at GRM Acousmonium, Paris<\/p>\n 2024: live improvised performance, French horn, voice and electronics, Ever Afters Campout<\/em> festival<\/p>\n 2024: Rootless<\/em>, site specific spatial sound art installation as part of artist-in-residence program at Headlands Center for the Arts<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Andy Guthrie, PhD Curriculum Vitae Education 2001-2005: BMus in Composition and BA in English Literature, University of Iowa 2007-2008: MS in Architectural Acoustics, Rensselaer Polytechnic Institute 2008-2015: PhD in Architectural Acoustics, Rensselaer Polytechnic Institute \u00a0 Employment 2005-2007: Managing Director, The S.E.M. Ensemble. -Managed finances and organized rehearsals, concerts and recordings for freelance new music […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-37","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.fraufraulein.com\/andy\/wp-json\/wp\/v2\/pages\/37"}],"collection":[{"href":"https:\/\/www.fraufraulein.com\/andy\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.fraufraulein.com\/andy\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.fraufraulein.com\/andy\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fraufraulein.com\/andy\/wp-json\/wp\/v2\/comments?post=37"}],"version-history":[{"count":10,"href":"https:\/\/www.fraufraulein.com\/andy\/wp-json\/wp\/v2\/pages\/37\/revisions"}],"predecessor-version":[{"id":605,"href":"https:\/\/www.fraufraulein.com\/andy\/wp-json\/wp\/v2\/pages\/37\/revisions\/605"}],"wp:attachment":[{"href":"https:\/\/www.fraufraulein.com\/andy\/wp-json\/wp\/v2\/media?parent=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}