{"id":437,"date":"2009-07-14T21:56:27","date_gmt":"2009-07-15T02:56:27","guid":{"rendered":"http:\/\/www.fraufraulein.com\/billy\/?p=437"},"modified":"2009-12-01T16:44:27","modified_gmt":"2009-12-01T21:44:27","slug":"days","status":"publish","type":"post","link":"https:\/\/www.fraufraulein.com\/billy\/2009\/07\/days\/","title":{"rendered":"<em>days<\/em>"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/fraufraulein.com\/images\/days_500.jpg\"><\/p>\n<p>Hot on the heels of <em><b>Comme<\/b><\/em> arrives a new collection of work, <em><b>Days<\/b><\/em>, published by the boutique Brooklyn label <a href=\"http:\/\/www.thelandof.org\/projects\/lnd007---billy-gomberg\/\" target=\"new\">The Land Of<\/a>.  Thanks to Justin and Kim for their work on and support of this collection.  <\/p>\n<blockquote><p><em>Days<\/em> collects five studio pieces drawn from acoustic recordings of piano and voice, treated, amplified, and arranged. The arrangements are simple: long passages of sound material lay next to each other, their closeness and distance outlining a structure.<Br><\/p>\n<p>The impressions of sound, and upon sound, color through the window influencing the acoustics. Transparency and a sense of architecture. Materials, once unique, begin to reflect each other, and that can be enough.<\/p>\n<p>Anne recorded herself singing a old folk song in both Swedish and English. She took the recordings and mixed them together in software. She liked the result and suggested that I work with these recordings. The piano recordings are of my own improvisations. On &#8220;exposures,&#8221; I&#8217;ve done some singing as well.<\/p><\/blockquote>\n<p>some words from Anne:<\/p>\n<blockquote><p>i think of these words<br \/>\npost-punk<br \/>\narchitecture<br \/>\nwhat you hear at 5 am after you stayed up all night deep in some project and yr not<br \/>\nreally sure yr awake<br \/>\nbut yr just reentering reality<br \/>\nand sort of surprised it has been there all night<\/p><\/blockquote>\n<p>lastly, a quote:<\/p>\n<blockquote><p>&#8220;no one writes or paints alone. but we have to make the pretense of so doing.&#8221;<br \/>\nbourriaud, <em>relational aesthetics<\/em>, p.81<\/p><\/blockquote>\n<p><BR><\/p>\n<p><em><b>Days<\/b><\/em> is issued in a limited edition of 100 lovely discs (and 320k digital download),  available from <a href=\"http:\/\/www.thelandof.org\" target=\"new\">The Land Of<\/a> website.  Justin Hardison, who curates The Land Of, has included a track from <em>Days<\/em> in this lovely mix:<\/p>\n<div style=\"font-size: 11px;\"><object height=\"129\" width=\"100%\"><param name=\"movie\" value=\"http:\/\/a1.soundcloud.com\/player.swf?track=signal-drift-episode-one-http-thelandof-org-radio&#038;show_comments=true&#038;auto_play=false&#038;color=000000&#038;remote_addr=24.103.247.74&#038;referer=http%3A%2F%2Fthelandof.org%2Fradio%2F?track=signal-drift-episode-one-http-thelandof-org-radio&#038;referer=http%3A\/\/thelandof.org\/radio\/&#038;remote_addr=24.103.247.74&#038;show_comments=true&#038;auto_play=false&#038;color=000000\"><\/param><param name=\"wmode\" value=\"transparent\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><\/object><\/p>\n<div style=\"padding-top: 5px;\"><a href=\"http:\/\/soundcloud.com\/the-land-of\/signal-drift-episode-one-http-thelandof-org-radio\/\">Signal Drift  episode one &#8211; http:\/\/thelandof.org\/radio<\/a> by <a href=\"the-land-of\">the land of<\/a><\/div>\n<\/div>\n<p><a href=\"http:\/\/fraufraulein.com\/billy\/wp-content\/days_reviews.html\" target=\"new\"><strong>reviews<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hot on the heels of Comme arrives a new collection of work, Days, published by the boutique Brooklyn label The Land Of. Thanks to Justin and Kim for their work on and support of this collection. Days collects five studio pieces drawn from acoustic recordings of piano and voice, treated, amplified, and arranged. The arrangements [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-437","post","type-post","status-publish","format-standard","hentry","category-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":43,"url":"https:\/\/www.fraufraulein.com\/billy\/2005\/10\/vathe-post_piano-2-open-remix-project\/","url_meta":{"origin":437,"position":0},"title":"V\/A:the post_piano 2 open remix project","author":"billy gomberg","date":"October 1, 2005","format":false,"excerpt":"October 2005 \u2022 12k\/term. Playing with the source recordings, I was looking for a piano sound hovering between a dry acoustic and polished digital sound. Adding some lo-fi ambience and putting a little more Satie into Ken's admitted Feldman influence brought me to the version included on this compilation. http:\/\/12k.com\/term\/term12.html\u2026","rel":"","context":"In &quot;music&quot;","block_context":{"text":"music","link":"https:\/\/www.fraufraulein.com\/billy\/category\/music\/"},"img":{"alt_text":"","src":"\/images\/albums\/post_logoish.jpg","width":350,"height":200},"classes":[]},{"id":48,"url":"https:\/\/www.fraufraulein.com\/billy\/2008\/08\/summer_tour_remix\/","url_meta":{"origin":437,"position":1},"title":"V\/A:Summer Tour Remix vol. 2","author":"billy gomberg","date":"August 1, 2008","format":false,"excerpt":"August 2008 \u2022 Anticipate Always keen to stretch out my sound (and never one to say no to \"hey can you do a remix?\"), here's a track I did based off of Sawako's field recordings. This is informed heavily by my work on Park (forthcoming on Install), where I incorporated\u2026","rel":"","context":"In &quot;music&quot;","block_context":{"text":"music","link":"https:\/\/www.fraufraulein.com\/billy\/category\/music\/"},"img":{"alt_text":"","src":"\/images\/albums\/summertourremix2_web.jpg","width":350,"height":200},"classes":[]},{"id":1690,"url":"https:\/\/www.fraufraulein.com\/billy\/2018\/11\/recent-mentions-in-dusted\/","url_meta":{"origin":437,"position":2},"title":"Recent mentions in Dusted!","author":"billy gomberg","date":"November 1, 2018","format":false,"excerpt":"My recent tape Beginners and digital collection of live recordings both get some words out of Bill Meyer at Dusted: Billy Gomberg is no beginner. He\u2019s been releasing music of his own and with Fraufraulein, a duo with Anne Guthrie, for nearly a decade. And the sound sources he uses\u2026","rel":"","context":"In &quot;music&quot;","block_context":{"text":"music","link":"https:\/\/www.fraufraulein.com\/billy\/category\/music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1438,"url":"https:\/\/www.fraufraulein.com\/billy\/2016\/11\/secret-decoder-on-slight-at-that-contact\/","url_meta":{"origin":437,"position":3},"title":"Secret Decoder on Slight At That Contact","author":"billy gomberg","date":"November 15, 2016","format":false,"excerpt":"Secret Decoder's Bryon Hayes with a gaze\u00a0into\u00a0Slight At That Contact: Students of Decay alumnus and strange-dream-inducing electronic composer Billy Gomberg\u00a0returned to the SoD fold last month, bringing with him another collection of near-ambient, glitch-sprinkled electro-acoustic sound works. Slight at that Contact offers eight lush fog banks that drift in a\u2026","rel":"","context":"In &quot;music&quot;","block_context":{"text":"music","link":"https:\/\/www.fraufraulein.com\/billy\/category\/music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":473,"url":"https:\/\/www.fraufraulein.com\/billy\/2009\/10\/flyover-sound\/","url_meta":{"origin":437,"position":4},"title":"flyover sound","author":"billy gomberg","date":"October 20, 2009","format":false,"excerpt":"I'm happy to announce that Flyover Sound, a collaboration between myself and offthesky is now available from Experimedia. Flyover Sound was nominated in the \"Experimentation\" category at the 7th Qwartz Awards, held in Paris, April 1-3, 2011. Fluid Radio named Flyover Sound ALBUM OF THE WEEK. hey! Flyover Sound is\u2026","rel":"","context":"In &quot;music&quot;","block_context":{"text":"music","link":"https:\/\/www.fraufraulein.com\/billy\/category\/music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1630,"url":"https:\/\/www.fraufraulein.com\/billy\/2017\/11\/heavy-objects-in-dusted\/","url_meta":{"origin":437,"position":5},"title":"Heavy Objects in Dusted&#8230;","author":"billy gomberg","date":"November 12, 2017","format":false,"excerpt":"the word from Bill Meyer at Dusted: Who plays the music and who deals with the baby? New-ish parents Billy Gomberg and Anne Guthrie had to deal with that question as they made Heavy Objects, and that circumstance offers one explanation for the tape\u2019s restraint. While a French horn, bass\u2026","rel":"","context":"In &quot;fraufraulein&quot;","block_context":{"text":"fraufraulein","link":"https:\/\/www.fraufraulein.com\/billy\/category\/fraufraulein\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.fraufraulein.com\/billy\/wp-json\/wp\/v2\/posts\/437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fraufraulein.com\/billy\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fraufraulein.com\/billy\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fraufraulein.com\/billy\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fraufraulein.com\/billy\/wp-json\/wp\/v2\/comments?post=437"}],"version-history":[{"count":8,"href":"https:\/\/www.fraufraulein.com\/billy\/wp-json\/wp\/v2\/posts\/437\/revisions"}],"predecessor-version":[{"id":520,"href":"https:\/\/www.fraufraulein.com\/billy\/wp-json\/wp\/v2\/posts\/437\/revisions\/520"}],"wp:attachment":[{"href":"https:\/\/www.fraufraulein.com\/billy\/wp-json\/wp\/v2\/media?parent=437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fraufraulein.com\/billy\/wp-json\/wp\/v2\/categories?post=437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fraufraulein.com\/billy\/wp-json\/wp\/v2\/tags?post=437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}