Video Art for Conditional Malaise
(w/ Rob Feulner, Bleu Nuit Video)

I’ve been lax in posting about this mostly b/c we’ve been overrun with activity this summer so here, catch up with this:

Produced between 2016 and 2017, “Video Art for Conditional Malaise” is a tool intended for those suffering from bouts of seasonal depression or general malaise in our modern political climate.

For thirty minutes flowers bloom and float into video feedback ether, set to the experimental-ambient music of Billy Gomberg. For its intended effect, please view using a projector against a large white wall, with the audio set to a louder than usual volume. The goal is full immersion.

Running time — 29:04
NTSC — Region 0
Audio track 1: Original score by Billy Gomberg
Optional audio track: Original score by Billy Gomberg run through VCR tracking errors when recording final cut.

Video Art for Conditional Malaise DVD trailer from Rob Feulner on Vimeo.

gorgeous, raw analog video manipulations from Rob Feulner. we got to play out with this footage in April and it was a joy. play loud and bright and big.

PURCHASE A DVD HERE
more from Bleu Nuit Video

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Transition in Cassette Gods

Amidst an elaborate staging, Ryan Masteller offers this:

Transition is an album that lives up to its name, a drifting, evolutionary signpost marking the passage of time. As befits a Dinzu release, field recordings are processed through effects and electronics, the sounds taking on entirely new identities as they’re filtered through Gomberg’s vision of glacial motion. The tracks are untitled, marked only by the amount of time they fill. And fill they do, as you must pay careful attention to the compositions, allowing them to consume your focus so that you don’t miss a single detail. You could call them drones, but that would be selling them short – there’s distinctive movement in the works, distinctive tones, unearthed emotional stimuli whose raw receptors remind you of events in your life that you’d forgotten. Wisps of memory once again become tactile. You remember who you once were.

Full review at Cassette Gods:
http://cassettegods.blogspot.com/2017/05/billy-gomberg-transition-c30-dinzu.html

Transition in The Quietus

Good company in Tristan Bath’s Spool’s Out column at The Quietus:

In comparison, Brooklynite sound artist Billy Gomberg’s offering on Transition is a relatively peaceful affair. Deeper listening reveals layers of hidden meaning, and in my own case, no small amount of terror. This is incredibly abstract music though, and one wonders how much the translucent, vaporous meaning is in the ear of the beholder. The single piece on side A seems at first to blend together various field recordings to create a strange new, third location. Distant industrial clatter or public transport noises soon turn out to be Gomberg’s own tones summoned from goodness knows where, and the collage then segues from place to place as it travels onwards. The two shorter pieces on side B are no less mysterious. Whether the overall effect is peaceful of terrifying is perhaps up to you to decide – either way it’s an absorbing trip to take.

http://thequietus.com/articles/22079-dale-cornish-dinzu-artefacts-yearning-kru-eiderdown-records-me-claudius-cassette-tape-review

Transition in Foreign Accents

Insightful and concise writeup from this PDX-based blog:

The electro-acoustical ebb and muffled field recordings of Billy Gomberg’s Transition have a quiet intensity to them that feels preparatory to something. A few minutes into the closing section on side B, and you might feel very specific images coming to mind: early morning in the industrial part of town. The faint hum of generators. Distant trucks passing. These are soundscapes for low light and empty streets. It’d be redundant to just call this “drone”, when really, its stirring, mind-manifesting mixture of tones and field ambience makes it a zoney sonic portrait. It barely matters how it was achieved– its organization is all of a piece, the collected moments seamlessly melding together. Reminds me a little of the minimal, diffuse calm conjured by the likes of Andrew Chalk, Christoph Heemann, David Jackman (Vacant Lights, one of his releases as Organum, particularly comes to mind), all those other characters. Highly unique and highly recommended.

(New Album Review) Billy Gomberg- Transition