Transition in The Quietus
Good company in Tristan Bath’s Spool’s Out column at The Quietus: In comparison, Brooklynite sound artist Billy Gomberg’s offering on Transition is a relatively peaceful affair. Deeper listening reveals ...
Good company in Tristan Bath’s Spool’s Out column at The Quietus: In comparison, Brooklynite sound artist Billy Gomberg’s offering on Transition is a relatively peaceful affair. Deeper listening reveals ...
Insightful and concise writeup from this PDX-based blog: The electro-acoustical ebb and muffled field recordings of Billy Gomberg’s Transition have a quiet intensity to them that feels preparatory to something. A ...
A new tape on the sound art cassette label Dinzu Artefacts, out of Los Angeles. Field recordings & electronics, tones, moments, and distortions.
Jason Cabaniss writes on Slight At That Contact for TMT Cerberus: “…cold electroacoustic tones numb the senses with a wall of hushed distortion…One could listen to escape the darkness that ...
Bill Meyer unpacks listening to Slight at the Contact for Dusted: “The lures to look elsewhere give the music’s sensual qualities an extra dimension, like lumps of paint built up and out from a canvas. But the ...