Recent mentions in Dusted!

My recent tape Beginners and digital collection of live recordings both get some words out of Bill Meyer at Dusted:

Billy Gomberg is no beginner. He’s been releasing music of his own and with Fraufraulein, a duo with Anne Guthrie, for nearly a decade. And the sound sources he uses on this tape are familiar ones — electric bass, urban field recordings, synthesizer and hand-manipulated objects. Even so, it feels like something new is happening here. Gomberg’s music has often seemed to stretch away from the listener, luring you to follow it through virtual expanses of space and time. Now it seems closer at hand, the sounds like sunning fish just under a pond’s surface. They’re simultaneously more recognizable and more processed that what he’s played in the past, creating a discreet reality that never quite loses its mystery no matter how often you play it.  (link)

In his summary of his Voting Rights Day shopping on Bandcamp, Bill found my bundle of live sets to defy his “not quite a physical object” rule:

Well, there go the rules. This DL-only compilation of concert performances by one of my favorite ambient recording artists of recent years shows that the carefully wrought, ultra-deep atmosphere of his recent cassettes is no fluke. (link)

 

Dusted on Transition

Insightful words from Bill Meyer at Dusted:

“Removal, addition and space all come to mind while listening to these three pieces, which collectively run just under half an hour.
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The sounds all seem to be coming at you from a great distance, so that to engage them you have to project your attention outwards. But at the same time they rise and fall in a cadence reminiscent of breathing exercises, and the piece induces a similarly calm state. This simultaneous evocation of in and out of body experiences speaks to art’s power to transform perception and the moment, and in doing so becomes a reminder that nothing needs to stay the same.”

full review below… Continue reading

Dusted on Slight At That Contact

Bill Meyer unpacks listening to Slight at the Contact for Dusted:

“The lures to look elsewhere give the music’s sensual qualities an extra dimension, like lumps of paint built up and out from a canvas. But the activity situated at the periphery raises doubts about where the real action lies. Maybe the surface is a curtain, something to be parted?”

via:

http://dustedmagazine.tumblr.com/post/154516312158/billy-gomberg-slight-at-the-contact-students-of

Complete review below:

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