NYC: Sat Dec 5 -> Robert Dick/Billy Gomberg/Joshue Ott

My trio with Robert Dick (flute) and Joshue Ott (visuals) will be performing this Saturday (Dec 5) at the Brecht Forum in the West Village. Below is the hype. we are scheduled to go on at about 915p, so hey. Hope to see you there!

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NYsoundCircuit at the Brecht Forum

An evening of continuous music, food, visuals, drinks, and fashion

Presenting new acoustic works by Drew Baker, Gilbert Galindo, John Glover, Jay Vilnai; Terry Riley’s “Sunrise of the Planetary Dream Collector”; electronic works by Max Abeles John McGill and Darien Shulman, with DJ sets by Casa de Galindo

Featuring the ai ensemble, MIVOS Quartet, and the Joshue Ott trio with Robert Dick and Billy Gomberg

With visuals by Joshue Ott

And showcasing the 2010 spring line of up-and-coming fashion designer, Cody Sai
Admission: $10

451 West Street (between Bank & Bethune Streets, New York, NY 10014
Phone: (212) 242-4201 – Email: brechtforum at brechtforum.org

Nov 17: {R}AKE a/v @ monkeytown

hey squad. I got asked to throw some video at this month’s {R}ake A/V throwdown, Monkeytown as usual. looks like an eclectic, interesting bill to me, and hey I’ve never complained about the food/booze there! come space out w/me and my updated video patch!

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{R} A K E

{A performance series of alternative and collaborative electro-acoustic music and video}

This Month’s A/V

Set 1 – Richard Garet – Video
Set 1 – Eric Lyon (laptop) and Christof Knoche (alto sax and electronics) – Music
Set 2 – Billy Gomberg – Video
Set 2 – Iron Dog (Sarah Bernstein and Stuart Popejoy) – Music
Set 3 – Color is Luxury (Charles Cohen and hair_loss) – Music
Set 3 – Dan Winckler – Video

{R}ake is a performance series of alternative and collaborative electro-acoustic music and video. Performances range from pure improvisation to more structured pieces, with video-artists and musicians working together in exploratory ways.
Monkey Town serves dinner during the show, so come hungry. Seating is limited — It’s a good idea to make reservations on their website

Monkey Town

58 North 3rd Street
(bet. Kent & Wythe)
Williamsburg, Brooklyn
718 384-1369

$7 Admission; $10 Food/Drink Minimum

flyover sound

I’m happy to announce that Flyover Sound, a collaboration between myself and offthesky is now available from Experimedia.

Fluid Radio named Flyover Sound ALBUM OF THE WEEK. hey!

Flyover Sound is the collaborative effort of Billy Gomberg and offthesky. The pair bring together their individually unique sounds to create a rich and beautiful album. Complex drone and glitch arrangements play alongside acoustic guitar and subtle field recordings.

Flyover Sound is packaged in Experimedia’s signature custom designed six panel tall-slim pack is limited to 250 copies, and features artwork/photography by Jason Corder (offthesky).

This release was a pleasure to create w/Jason, to hear our work change and refract as these pieces developed. I find these pieces to be translucent, projecting sound with an incredible ease through their duration that belies a certain complexity at work in our individual practices. Please enjoy thoroughly.

thanks to Anne for the handwriting, and to Jeremy Bible.

reviews

Delicate Sen

I’m happy to officially promote the Delicate Sen CD-R on Copy For Your Records. We were selling this disc on tour and I’m just catching up with lots of things like this. A great, restrained and sensitive improvisation by our trio, recorded in Brooklyn back in March.

Brian Olewnick just posted a review:

This is just a really good, varied and strong live set by the trio of Billy Gomberg (synthesizer), Anne Guthrie (french horn) and Richard Kamerman (motors, objects), recorded in March of this year. I think they have a leg up with the delicious instrumental blend here: Kamerman tends toward the harsh and metallic while Gomberg has a refreshing tendency, when I’ve heard him, to linger in tonal byways. Add to this the all too rare, in this music, timbre of the french horn, beautifully deployed here by Guthrie, and you have a delicious prospect from the get-go. And then they construct this utterly captivating performance that wends its way through numerous neighborhoods, each of interest, almost never flagging over its 40 minutes. There’s a point about halfway through where Gomberg adopts an almost church-organ kind of sound opposite Kamerman’s jangling metal that’s fantastic and when Guthrie plants long, burred tones in the midst, transcendent. Fine work.

Get yr copies direct from Copy For Your Records.

reviews

Delicate tour recap

If you are looking for a very short, precise recap of the Delicate Sen West Coast Tour:

Fantastic.

Check out photos on Richard’s Flickr stream

Vancouver, August 22 & 23:

After a long travel day (the first), the really crisp, mild weather in Vancouver is a great relief. Both Richard + I had to completely unpack our gear going through security at Laguardia which was…an experience. We left NYC at the height of a crushing heatwave, though which I was working days in a large garage w/out air conditioning, so the change of environment was really appreciated.

Had to get to Alley Pad Studios rather promptly to prepare for a performance of Richard’s composition “YVK20090822 (for viola, cello, contrabass, and speakers).” Richard quickly recruited Anne + myself to do the speaking parts. I had performed a speaking part in a composition by Andrew Lafkas a few weeks before so I’m finding a new niche. We were very fortunate in that the local musicians performing the piece were inquisitive (and cooperative) in a work that was very much out of place for the evening. The audience was also appreciative, which helps.

The next night we played our first real gig (at the Helen Pitt Gallery), as part of a “4 Nights of Improvised Music” series. Following the brilliant opening performance by Jeffery Allport and Tim Olive (on percussion and tabletop guitar, respectively) and a hypnotic duo by Sam Shalabi on oud and Josh Stevenson on synthesizer was a real treat. Also respect to the great, large Vancouver audience and thanks to Chris for letting us stay at her apartment (and mailing my power supply back to me – see below).

Seattle, August 24:

A quick bus trip across the border got us to Seattle in the afternoon, where we had a little adventure with the public transit system. Good times. We had time to spare so we got to unwind with some nice foods and juice and teas before the gig.

The concert was at Gallery 1412, a reasonably sized but acoustically very dry space, which turned out to be perfect for the night’s proceedings. I had left the power supply for my laptop in Vancouver, which also turned out to be a perfect, if minor alteration to my setup for the night. When Anne & I perform as Fraufraulein, I play without my laptop, and have done the same during some Delicate Sen rehearsals/recordings, so this was not a new beast to confront, and given the very minimal and quiet tone of the night’s performances, I didn’t miss my computer a bit.

We were joined by Seattle musicians Mark Collins (bass), Mara Sedlins (viola), Tyler Wilcox (soprano saxophone) and Wilson Shook (alto saxophone), and performed in the following combinations:
Mark Collins / Richard Kamerman / Tyler Wilcox
Mark Collins / Billy Gomberg / Anne Guthrie / Mara Sedlins
Billy Gomberg / Mara Sedlins / Wilson Shook
Anne Guthrie / Richard Kamerman / Wilson Shook / Tyler Wilcox

This was a great concert to listen to, and a joy to participate in. Mark, Mara, Wilson & Tyler brought amazing sensitivity and timing and it was nothing less that a total pleasure to perform with them. Thanks to Wilson, Tyler and EGFS for putting us up for the night!

Portland, August 25:

Picked up our rental car in downtown Seattle, loaded up on foodstuffs, and headed down to Portland. Met up w/JP Jenkins (our lovely host), and spent the afternoon unwinding in some more lovely northwest weather, regaled by a very long joke about a dirty limerick, told in Pynchonesque tandem by JP and Shane.

Gallery Homeland, our venue for the night, could not have been more different from 1412 in Seattle. Where the Seattle space was dry and intimate, Homeland was a huge old warehouse space, with a long & distinct reverb, few early reflections, and a penchant for swallowing some frequencies, which made for a very different concert following Seattle. Performing with us were Jean-Paul Jenkins (guitar), Mark Kaylor (percussion) and Kelvin Pittman (saxophone). The concert went as follows:
Delicate Sen
JP Jenkins / Mark Kaylor / Kelvin Pittman
Billy Gomberg / JP Jenkins / Mark Kaylor
Anne Guthrie / Richard Kamerman / Kelvin Pittman

This matchup produced a totally different sound from the improvisations in Seattle, in the best way…sound really filled up the space, expanding in its reverberation, the room taking on a life of its own. After our first trios got comfortable in the space, the third and fourth sets set out on more bold pathways: my trio w/JP and Mark grew large and almost antagonistic, settling and then reforming. Anne, Richard and Kelvin stayed sparse…letting their contributions touch, join or separate, counterpointing w/trains passing and street noise. Another really stunning night.

Oakland, August 27:

Rolled into Oakland pretty weary of sitting in a car and promptly exacted our vengeance on our audience! All three of us knew that, at some point on tour, we were going to play a set that was entirely too loose, too loud and probably a bit crazy. Objects routinely flew from Richard’s table (which at some point encountered some beer), sending Anne & I off on dissonant tangents, all three of us re-convening for another collision. It was raw and messy (literally). Thanks to Jason Moore for preventing us from ending our night at a reasonable hour.

Los Angeles, August 29:

One last day on the road through the bleakest landscape on I-5…drought ridden in the middle of California sprawl…arrived in LA after 90 miles of approaching a large dark smoke cloud. We all felt strongly about LA, maybe due to our status as New Yorkers, but mostly due to this being the last show of the tour. We also played to an entirely different audience in LA – much more from the contemporary electronic/laptop landscape where my solo records roam than the new strains of improvised music that Delicate Sen’s general style would fall into. We also wanted to be able to really bring our experiences on the road into definitive performance, which we all agree is exactly what happened.

We were treated to a very appreciative crowd and a great venue at Betalevel. There is nothing like wandering through little alleyways in Chinatown to set the mood. I don’t really have much to add except that this was the best way to end our brief tour…thanks to Ryan (Sublamp) for wrangling a great show for us, Yann & Rob for hosting, and everyone who came out.

jukebox