comme

my album comme is now available from mOAR

from the and/OAR blog:

“Electronic sound caught gazing at its own physicality, acoustics in love with their own abstraction.”

If this statement exemplifies Comme to a fault, then the cover art would only confirm it. Music that seems to take on a personality of its own immediately after birth during the first track, then gradually wandering off to further contemplate its place in a new found sonic world with Billy and the rest of us following along as dazed observers.

from the mOAR catalog:

Billy’s debut CD release displays abstract and complex dimensions of texture and tone that might make more sense at first on a subconscious level before it will on a conscious one. Therefore, it is advised to first approach this music from a pure listening standpoint, free from preconceived notions of musical structure and form since it can defy such prosaic logic.

These tracks are the start of my working toward a more immediate sound – improvisation w/software, real-time construction of the sound material and structure, taking priority. While some material comes from software in real-time, all other sound was generated by Roland Juno synthesizers, plus a few tracks incorporate my voice. Post-production editing and treatment were mostly employed to find the clearest expression of my improvisations and shape them into more conventional ‘tracks’ or ’songs.’ When improvising in this style, I do have a sense of trying to find a ’song,’ and letting that take me somewhere else.

Somewhat more abstractly – where was I when I started this work – a good portion of this album was started just after I moved to Brooklyn in 2005. Risking cliché, this is raw sound, a discovery of style (or a total lack of it). I just make music, it’s a space between the listener and myself. In this way, sound is ’simple’ – its presence as we listen gives it expression, our listening finds its language.

I am very excited about this collection, and nothing short of tremendously satisfied with it. Much gratitude to Dale for his support and vision with this album, and the and/OAR family of labels.

comme is available at the and/OAR diffusion shop.

June 24 @ Context Studios w/Robert Dick & Joshue Ott

Tomorrow night I am playing in a very very new trio featuring the incomparable Robert Dick on flute and the lovely Joshue Ott on lovely visuals. I cannot express how badly you need to be there.

nattily-compressed preview videos:

one

two

three

Wednesday, June 24 at 8:00 PM

Context Studios
1 N. 12th Street, #B7
Brooklyn, NY 11211

admission $10

Blue Eyes / “Sampo” remix

so, as some of you may have noticed from my recent carpet-bombing of myspace, I’ve been making dance dance dance music, and some slow jams. I’ve taken the Blue Eyes name for this work in order to differentiate from the rest of the music I produce.

A remix I did for Pocket feat. Yuki Chikudate (from Aeobi Seksu) is now available for yr downloading pleasures at:

Other Music
iTunes
Amazon
Limewire

Upstate Delicates

Belatedly, here’s some pictures from the Delicate Sen concert in Albany, thanks to Chris Bassett:



the whole delicate gang

Richard Kamerman on clock chimes, motors, tape machine

Anne Guthrie on French Horn + electronics, myself on synthesizer + laptop

Anne also plays lengths of rubber tubing.

Another really fine concert of diverse, lovely sets. Thanks to all who attended!

Delicate Sen: April 25, Upstate Artists Guild, Albany NY

This coming Saturday, April 25th, Delicate Sen (my trio w/Anne Guthrie & Richard Kamerman) will be performing at the Upstate Artists Guild in Albany, NY. Also performing will be Byron Westrook/Corridors (drone and video) and the duo of Benny Nelson & Jay Sullivan (analog synth, turntable and harmonium).

We are, of course, terribly excited to be playing.

8pm
Upstate Artists Guild
247 Lark St.
Albany, NY

Thanks to Mike Bullock and Holland Hopson for organizing.

jukebox